SRC: SEEN · DAILY
Radio, festivals & events
No radio, festival or event signal for this artist yet.
Radio, festival & event signals from seen artist_dossier (seen#87 / carrefour#67)
SRC: RIDDEN · CONTINUOUS
Press
Press: 50 items (14 reviews · 2 interviews · 34 features)
- feature One to watch: Faye Webster — the_guardian, Kitty Empire (2021)
- feature premiere: Molly Parden – Who Are We Kiddin' — gorillavsbear, ChrisChrisPublished: September 24, 2020 (2020)
- feature Drill, hardcore punk and pop about snails: new artists for autumn — the_guardian, Ben Beaumont-Thomas, Alexis Petridis and Laura Snapes (2020)
- review Transmissions :: Eric Slick — aquarium_drunkard, Justin Gage (2020)
- review Karen O & Danger Mouse: Lux Prima review – complex and lingering — the_guardian, Ben Beaumont-Thomas (2019)
- feature Watch Natalie Prass Throw it Back to 1970 with Groovy Corden Performance — paste, Lindsay Thomaston (2019)
- feature Watch Natalie Prass Play Funky ‘Short Court Style’ on ‘Corden’ — rollingstone, Ryan Reed (2019)
- feature My perfect Christmas music playlist, by Jarvis Cocker, Tony Bennett, Sarah Cracknell, Mabel, Natalie Prass and John Grant — the_guardian, Interviews by Jude Rogers (2018)
- feature Natalie Prass Shares New Live Studio Session Video of The Future And The Past Track “Lost” — paste, Ellen Johnson (2018)
- feature Best albums of 2018 so far — the_guardian, Ben Beaumont-Thomas (2018)
- review The Future and the Past — pitchfork, By Olivia Horn (2018)
- review Natalie Prass — the_quietus, Guia Cortassa (2018)
- feature Hear an Intimate and Gorgeous Natalie Prass Set from 2012 — paste, Loren DiBlasi (2018)
- review Natalie Prass: The Future and the Past review – musical magpie channels Karen and Janet — the_guardian, Alexis Petridis (2018)
- feature Natalie Prass Shares Vulnerable New Track “Lost,” Unveils North American Tour Dates — paste, Lizzie Manno (2018)
- feature Natalie Prass unveils string-led ballad "Lost" — thelineofbestfit, Laurence Day (2018)
- feature We Listened To All Of New Music Friday So You Don't Have To: Natalie Prass, ALMA, Dave — thelineofbestfit, Laurence Day (2018)
- feature Natalie Prass announces new record The Future And The Past, unveils lead single "Short Court Style" — thelineofbestfit, Laurence Day (2018)
- review Bedouine review – a wandering star is born — the_guardian, Kitty Empire (2017)
- feature Miley, Morrissey and Marnie the opera: the essential pop, classical and jazz for autumn 2017 — the_guardian, Alexis Petridis, Andrew Clements, John Fordham and Robin Denselow (2017)
Press from ridden archive_api_v1 (Guardian · Pitchfork · The Wire · RA · …)
SRC: SEEN · DAILY
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SRC: SEEN · DAILY
▒▒▒ EMERGENCE INSTRUMENTATION — NO DATA ON FILE ▒▒▒
SRC: SEEN · DAILY
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SRC: MIRROR · DAILY
▒▒▒ EARLY DEMAND — NO DATA ON FILE ▒▒▒
SRC: MIRROR · DAILY
▒▒▒ BANDCAMP EMERGENCE — NO DATA ON FILE ▒▒▒
SRC: MIRROR · DAILY
Most re-collected works
Re-collected across the catalogue: 3 works
- Bird of Prey· 2 recordings
- My Baby Don’t Understand Me· 2 recordings
- Christy· 2 recordings
Most re-collected works across the catalogue, from mirror.work_signals_v1 (version co-ownership)
Catalogue on file
SRC: MIRROR · WEEKLYArtist: Natalie Prass
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Showing masters credited to this artist
4 results
000unobserved•DJ activity data pending hydrationCritic mentions pending (ridden #350 in-flight)
000unobserved•DJ activity data pending hydrationCritic mentions pending (ridden #350 in-flight)
000unobserved•DJ activity data pending hydrationCritic mentions pending (ridden #350 in-flight)
000unobserved•DJ activity data pending hydrationCritic mentions pending (ridden #350 in-flight)