Cube quadrant from mirror master_rollup (DJ/owner/critic synthesis)
100Collector only
Updated 2026-08-29T18:01:08.314Z
DJ plays sourced via seen + mirror
0DJs
Updated 2026-08-29T18:01:08.314Z
Critic mentions sourced via mirror master_rollup
Critic axis pending — see mirror#276
Radio plays sourced via seen recent_appearances
No radio appearances recorded yet
Updated —
Radio play velocity sourced via seen master_recent_appearances
No radio plays in the last 90 days
Updated —
Collector behavior from mirror master_signals_v1
Updated —
Re-collected songs from mirror work_signals_v1 (via the release→recording→work bridge)
- Last Tango in Paris9 version collectorsof 73 owners· 56 recordings
- Época5 version collectorsof 38 owners· 20 recordings
- Santa María (del Buen Ayre)3 version collectorsof 36 owners· 4 recordings
- Tríptico3 version collectorsof 33 owners· 2 recordings
- Diferente3 version collectorsof 11 owners· 16 recordings
- Mi Confesión1 version collectorof 6 owners· 11 recordings
- Una música brutal0 version collectorsof 30 owners· 2 recordings
- Amor Porteño0 version collectorsof 5 owners· 4 recordings
Updated 2026-08-29T18:01:08.314Z (8 sources)
Purchase-backed early demand from mirror bandcamp_signals_v1 (Bandcamp "supported by")
No purchase-backed demand tracked for this release yet
Updated —
Release credits sourced via ridden cc0_release_credits (CC0 Discogs dump)
- Art DirectionPrisca Lobjoy×6
- ArtworkEva Goldstein×6
- Edited ByThibaut Javoy×6
- Mastered ByMandy Parnell×6
- Mixed ByChristoph H. Müller×6
- Photography ByPrisca Lobjoy×6
- ProducerChristoph H. Müller×6
- ProducerEduardo Makaroff×6
- ProducerPhilippe Cohen×6
- Artwork ByEva Goldstein
Updated 2026-08-29T18:01:08.314Z (11 sources)
Pressing provenance sourced via ridden pressing_provenance + cc0_release_companies (CC0 Discogs dump)
release 3301719
- Rights SocietySACEM SACD SDRM SGDL
- Label CodeLC15875
- Barcode3 700426 916943
- Matrix / RunoutM0072448 [SNA logo] 1 / YAB 069 CD - BEST OF DE GOTAN PROJECT
- Mastering SID CodeIFPI L595
- Mould SID CodeIFPI 1A93
- Phonographic Copyright (p)¡Ya Basta!
- Copyright (c)¡Ya Basta!
- Glass Mastered AtSNAM0072448
- Mixed AtSubstudioz
- Mastered AtBlack Saloon Studios
- Distributed ByDiscograph6149652
release 9200123
- Barcode6 0257 86208 8
- Rights SocietySACEM SACD SDRM SGDL
release 9445384
- Label Code537179-3
- Barcode600753717936
release 12690353
- Label CodeLC 15975
- Barcode3 700426 916943
- OtherA7A [3x](Mould)
- Rights SocietySACEM SACD SDRM SGDL
- Record CompanyUniversal Music Group6149652
- Phonographic Copyright (p)¡Ya Basta!
- Copyright (c)¡Ya Basta!
release 13771117
- Barcode6 02527 86243 9(Text)
- Barcode602527862439(Scanned)
- Matrix / Runout[Universal logo x4] [Arvato logo] 54868695/00602527862439 21
- Mastering SID CodeIFPI LP73
- Label CodeLC 0126
- Mould SID CodeIFPI 0753
- Rights SocietySACEM SACD SDRM SGDL
- Phonographic Copyright (p)¡Ya Basta!
- Copyright (c)¡Ya Basta!
- Mixed AtSubstudioz
- Mastered AtBlack Saloon Studios
- Glass Mastered AtArvato54868695
release 37082247
- Phonographic Copyright (p)¡Ya Basta!
- Copyright (c)¡Ya Basta!
- Mixed AtSubstudioz
- Mastered AtBlack Saloon Studios
release 38026380
- Barcode3 700426 916943(Text)
- Label CodeLC15875
- Matrix / RunoutGOTAN PROJECT-BEST OF-CD-DIG MO136375
- Mastering SID CodeIFPI LV04
- Mould SID Codenone
- Phonographic Copyright (p)¡Ya Basta!
- Copyright (c)¡Ya Basta!
- Mixed AtSubstudioz
- Mastered AtBlack Saloon Studios
Updated 2026-08-29T18:01:08.314Z (7 sources)
Music-usage / placements sourced via sync placement_master_rollup_v1 (soundtrack/cue releases)
No film/TV placements resolved for this release yet
Updated —
Audio features from AcousticBrainz analysis, aggregated per side (mirror)
MellowDanceability 79%houseInstrumental 80%Brightness 52%111 BPMD minor
Updated 2026-08-29T18:01:08.314Z (1 sources)
Per-track personnel sourced from Discogs CC0 tracklist credits (ridden)
1Santa María (Del Buen Ayre)
- Bandoneon — Nini Flores
- Double Bass — Fabrizio Fenoglietto
- Percussion — Eduardo Tomassi
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Vocals — Cristina Vilallonga
2Época
- Bandoneon — Nini Flores
- Double Bass — Fabrizio Fenoglietto
- Percussion — Eduardo Tomassi
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Vocals — Cristina Vilallonga
3La Gloria
- Bandoneon — Nini Flores
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Voice [Relator De Fútbol] — Víctor Hugo Morales
4Diferente
- Bandoneon — Nini Flores
- Guitar — Rudi Flores
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Vocals — Cristina Vilallonga
5Rayuela
- Bandoneon — Nini Flores
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
6Una Música Brutal
- Bandoneon — Nini Flores
- Double Bass — Fabrizio Fenoglietto
- Percussion — Eduardo Tomassi
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Vocals — Cristina Vilallonga
7Mi Confesión
- Bandoneon — Nini Flores
- Guitar — Rudi Flores
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Vocals — Cristina Vilallonga
8Peligro
- Bandoneon — Nini Flores
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
9Tríptico
- Bandoneon — Nini Flores
- Double Bass — Fabrizio Fenoglietto
- Percussion — Eduardo Tomassi
- Piano — Gustavo Beytelmann
- Violin — Line Kruse
- Vocals — Cristina Vilallonga
10Strength To Love
Updated 2026-08-29T18:01:08.314Z (15 sources)
Hearsay mentions sourced via hearsay v2 typed signal classes
Hearsay mentions — pending hearsay v2 typed signal-class publishing surface (vision-005)
Pending producer integration(hearsay#1) Rights candidates sourced via ledger Phase 1
Rights candidates — pending ledger Phase 1 contract
Pending producer integration(ledger#1) Secondary-source links aggregated by mirror (insert, carrefour#50)
Updated 2026-08-29T18:01:08.314Z (6 sources)
Unresolved-tail mentions sourced via observed-mention spine
Unresolved-tail mentions — pending observed-mention spine (carrefour#63)
Pending producer integration(carrefour#63) record.club attention sourced via record.club source
record.club attention — pending record.club source (carrefour#62)
Pending producer integration(carrefour#62)